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・ Ousmane Dramé
・ Ousmane Farota
・ Ousmane Issoufi Maïga
・ Ousmane Issoufou Oubandawaki
・ Ousmane Keita
・ Ousmane Kone
・ Ousmane Mané
・ Ousmane Mey
・ Ousmane N'Diaye
・ Ousmane N'Doye
・ Ousmane N'Gom Camara
・ Ousmane Ngom
・ Ousmane Niang
・ Ousmane Oumar Kane
・ Ousmane Sanou
Ousmane Sembène
・ Ousmane Sidibé
・ Ousmane Socé
・ Ousmane Sow
・ Ousmane Sy
・ Ousmane Sy (footballer)
・ Ousmane Tanor Dieng
・ Ousmane Thomas Diagne
・ Ousmane Tounkara
・ Ousmane Traoré
・ Ousmane Viera
・ Ousmane Zongo
・ Ousmanou Mohamadou
・ Ousmaïla Baba
・ Ousrou


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Ousmane Sembène : ウィキペディア英語版
Ousmane Sembène

Ousmane Sembène (1 January 1923 – 9 June 2007), often credited in the French style as Sembène Ousmane in articles and reference works, was a Senegalese film director, producer and writer. The ''Los Angeles Times'' considered him one of the greatest authors of Africa and has often been called the "father of African film".〔(''Los Angeles Times'' "Ousmane Sembene, 84; Sengalese hailed as 'the father of African film'" 14 June 2007 )〕 Descended from a Serer family through his mother from the line of Matar Sène, Ousmane Sembène was particularly drawn to Serer religious festivals especially the ''Tuur festival''.〔 Gadjigo, Samba, "Ousmane Sembène: The Making of a Militant Artist", Indiana University Press, (2010), p 16, ISBN 0253354137 () (Retrieved : 10 August 2012)〕
==Early life==
The son of a fisherman, Ousmane Sembène was born in Ziguinchor in Casamance to a Lebou family. From childhood Sembène was exposed to Serer religion especially the ''Tuur festival'', in which he was made ''cult servant''. Although the ''Tuur'' demands offerings of curdled milk to the ancestral spirits (Pangool), Sembène did not take his responsibility as cult servant seriously and was known for drinking the offerings made to the ancestors.〔 Some of his adult work draws on . His maternal grandmother reared him and greatly influenced him. Women play a major role in his works.〔
Sembène's knowledge of French and basic Arabic besides Wolof, his mother tongue followed his attendance at a Madrasa, as was common for many Islamic boys, and a French school until 1936, when he clashed with the principal. He worked with his father—he was prone to seasickness—until 1938, then he moved to Dakar, where he worked a variety of manual labour jobs.
In 1944, Sembène was drafted into the Senegalese Tirailleurs (a corps of the French Army). His later World War II service was with the Free French Forces. After the war, he returned to his home country and in 1947 participated in a long railroad strike on which he later based his seminal novel ''God's Bits of Wood''.
Late in 1947, he stowed away to France, where he worked at a Citroën factory in Paris and then on the docks at Marseille, becoming active in the French trade union movement. He joined the communist-led CGT and the Communist party, helping lead a strike to hinder the shipment of weapons for the French colonial war in Vietnam. During this time, he discovered the Harlem Renaissance writer Claude McKay and the Haitian Marxist writer Jacques Roumain.

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